Rorty, Williams, and Davidson: Skepticism and Metaepistemology

Rorty, Williams, and Davidson: Skepticism and Metaepistemology

We revisit an important exchange on the problem of radical skepticism between Richard Rorty and Michael Williams. In his contribution to this exchange, Rorty defended the kind of transcendental approach to radical skepticism that is offered by Donald Davidson, in contrast to Williams’s Wittgenstein-inspired view. It is argued that the key to evaluating this debate is to understand the particula...

Rorty and His Critics

Metaepistemology and Divine Revelation

In Crossing the Threshold of Divine Revelation, William Abraham offers a rich, subtle defense of an epistemology of divine revelation. In this paper, I focus on a cluster of metaepistemological claims made by Abraham. Specifically, I argue that Abraham’s remarks about epistemic fit and the epistemic standards we bring to bear in making evaluations of divine revelation claims commit him to a spe...

Pragmatism and Liberalism between Dewey and Rorty

Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive...

the american dream in three plays by eugene oneill, tennessee williams, and lorraine hansberry

این مطالعه به نقد و بررسی مفهوم اسطوره ی رویای امریکایی در سه نمایشنامه ی قرن بیستم امریکایی می پردازد، که این نمایشنامه ها عبارتند از: the iceman cometh (مرد یخین می آید) نوشته ی یوجین اونیل، 1940؛ desirea streetcar named (اتوبوسی به نام هوس) نوشته ی تنسی ویلیامز، 1947؛ و in the sun raisin a (انگور خشکیده در آفتاب) ، نوشته ی لورین هنزبری، 1958. هدف از این بررسی، ابتدا شناخت مفهوم رویای امری...